“Scroll down to the end of the article to listen to music.”
Introduction
In the late 1970s, amidst the rise of punk and disco, The Moody Blues made a significant return to the music scene with their album “Octave.” Among its tracks, “Driftwood” stands out as a poignant love ballad, reminiscent of their earlier classics.
About The Composition
- Title: Driftwood
- Composer: Justin Hayward
- Premiere Date: October 6, 1978
- Album: Octave
- Genre: Rock
Background
“Driftwood” was the second single from “Octave,” following “Steppin’ in a Slide Zone.” Written by Justin Hayward, the song mirrors the emotive style of “Nights in White Satin” and “Never Comes the Day.” This track marked the final single featuring keyboardist Mike Pinder, who departed the band shortly before the album’s completion. His exit led to the inclusion of Patrick Moraz, formerly of Yes, as his replacement. Upon its release, “Driftwood” was described by Billboard as a “lush romantic ballad,” while Cash Box praised it as “a smooth and spacy ballad about beaching on the shore of life.”
Musical Style
“Driftwood” is characterized by its melancholic melody and rich instrumentation. The arrangement includes acoustic and electric guitars, keyboards, and a distinctive alto saxophone solo by session musician R.A. Martin. The song’s structure builds gradually, creating an immersive and emotive experience that showcases The Moody Blues’ signature blend of rock and orchestral elements.
Lyrics
The lyrics of “Driftwood” explore themes of love and loss, using the metaphor of driftwood to symbolize feelings of being adrift and the passage of time. This imagery evokes a sense of longing and reflection, resonating deeply with listeners.
Performance History
Following its release, “Driftwood” reached No. 59 on the U.S. Billboard charts and No. 38 on the Adult Contemporary charts. A promotional video was produced, featuring Patrick Moraz on keyboards, although the recording itself included Mike Pinder. The video also depicts Ray Thomas playing the alto saxophone, despite the actual performance being by R.A. Martin.
Cultural Impact
While “Driftwood” may not have achieved the same level of commercial success as some of The Moody Blues’ earlier hits, it remains a beloved track among fans. Its inclusion in various compilations, such as “Voices in the Sky: The Best of The Moody Blues,” highlights its enduring appeal.
Legacy
“Driftwood” continues to be celebrated for its heartfelt composition and timeless quality. It stands as a testament to The Moody Blues’ ability to craft songs that resonate across generations, maintaining relevance in today’s musical landscape.
Conclusion
“Driftwood” exemplifies The Moody Blues’ talent for blending evocative lyrics with rich musical arrangements. For those looking to experience this classic, the official promotional video offers a visual complement to the song’s haunting beauty.
Video
Lyrics
Just like the driftwood of a dream
Left on the seashore of sleep
Just like the words that wouldn’t rhyme
Lost in the desert of time
Time waits for no one at all
No, not even you
You thought you’d seen it all before
You really thought you knew
I don’t remember what was said
In the confusion that night
I only know what’s on my mind
What’s in the future, we will decide
Time waits for no one at all
No, not even you
You thought you’d seen it all before
You really thought you knew
I’ve shattered the illusion of fortune and of fame
But darling, now I know you
Life could never be the same
Oh no, don’t leave me driftwood on the shore
Time waits for no one my love
No, not even you
You thought you’d seen it all before
You really thought you knew
I’ve shattered the illusion of fortune and of fame
I’m waking up, I’m reaching up
I’m getting up from this game
Oh no, don’t leave me driftwood on the shore
Oh no, don’t, don’t leave me driftwood on the shore
Oh no, don’t, don’t leave me driftwood on the shore