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HE TOLD IAN GILLAN HE LIVED AROUND THE CORNER AND ASKED IF HE COULD COME AND JAM. That was Ritchie Blackmore, getting in touch with the singer of the band he co-founded in 1968, wrote “Smoke on the Water” for, and walked out of in 1993. He hadn’t stood on a stage with Deep Purple since. He didn’t turn up when they were inducted into the Rock and Roll Hall of Fame in 2016, and in 2014 Gillan had told Rolling Stone that bringing Ritchie back was out of the question. But Blackmore is 81 now and lives on Long Island, and Deep Purple had a show booked at Jones Beach. So he asked, in his own words, “Do you mind if I come and jam with you?” Gillan put it to the band. They said yes. Wednesday night, near the end of the set, he walked out, smiled at the men he’d left behind three decades ago, and played his riff with them for the first time in 33 years. He’d had a steroid injection in his back the day before just to be able to stand there. A stool sat onstage in case he couldn’t. When the song ended, Gillan put an arm around him and gave him back to the crowd as the founder member, the great legend, the immortal Ritchie Blackmore. Then he told him he’d see him in the bar.

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Ritchie Blackmore Returned to Deep Purple’s Stage for One Night, and Time Suddenly Folded In on Itself For more than…

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DON HENLEY’S MOTHER FOUGHT CANCER FOR NEARLY 25 YEARS. AFTER SHE DIED, HE KEPT HER LITTLE TEXAS HOUSE — NOT FOR HIMSELF, BUT FOR HIS CHILDREN. Hughlene Henley spent much of her later life battling cancer. She died in 2003 at 87, after a struggle that had lasted roughly a quarter of a century. For Don, the loss reached far beyond losing his mother. Her home was in Linden, Texas, the small town where he had grown up before the Eagles, before the stadiums, before millions of records were sold. He could have sold the house and moved on. He didn’t. Don kept it because he wanted his own children to understand where their father came from — to know what life in a small East Texas town felt like, far away from Los Angeles and the world of celebrity. By then, Don Henley could afford almost any house he wanted. But the one he chose to preserve was the modest home connected to his mother and his childhood. Sometimes inheritance is not money. Sometimes it is simply a place that reminds your children who their family was before the world knew their name.

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Don Henley Kept His Mother’s Texas House for a Reason That Went Beyond Memory Long before the fame, the arenas,…

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RINGO’S DAUGHTER HAD A BRAIN TUMOR. SO DID GEORGE. Through the autumn of 2001, Ringo Starr was moving between two sickrooms. His daughter Lee was being treated in Boston. His oldest friend was fighting a cancer that had started in his throat, moved into his lung, and reached his brain. There was one good afternoon in it. On November 12, in a Manhattan hotel room, George, Paul and Ringo sat together for the last time. George ate a light vegetarian meal and drank water, then went straight to Hamburg. 1960, eight-hour nights in German clubs, seventeen years old and nobody in the world knowing their names. George’s doctor was in the room and remembered laughter far outweighing the tears. Paul said it was like they were dreaming. But the moment Ringo carries came from a quieter visit, one where George could only lie down. Ringo said he couldn’t stay, that he had to get to Boston, to his daughter. George, 58 years old and out of options, asked him: “Do you want me to come with you?” Ringo has said those were the last words he ever heard him say.

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Ringo Starr, George Harrison, and the Quiet Grief of 2001 In the autumn of 2001, Ringo Starr was living between…

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HE SANG “LIFE IN THE FAST LANE.” THEN DON HENLEY MOVED HIS CHILDREN AWAY FROM LOS ANGELES SO THEY WOULDN’T HAVE TO GROW UP IN IT. For years, Don Henley lived at the center of one of rock music’s wildest success stories. Then his priorities changed. Henley married Sharon Summerall in 1995, and they eventually had three children. When the children were young, the family moved from Los Angeles to Dallas, closer to Sharon’s parents. Henley had a simple reason. He wanted his children to grow up more like he had in Texas. He said he did not want to raise them in an environment filled with the self-absorption of Hollywood, especially when touring already kept him away from home. Fatherhood changed his music, too. His 2000 album Inside Job was shaped by marriage, children and the birth of his first daughter. “Taking You Home” came directly from that new chapter of his life. The man who had spent years singing about excess, temptation and life in the fast lane finally found something more important than the road. He wanted his children to have a childhood.

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Don Henley, Fatherhood, and the Quiet Choice to Leave Los Angeles Behind For years, Don Henley lived at the center…

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JOE WALSH’S DAUGHTER SPENT YEARS THINKING HIS ABSENCE MEANT HE DIDN’T LOVE HER. AS A CHILD, SHE CAME UP WITH ONE SOLUTION — BECOME FAMOUS TOO. Lucy Walsh was still young when her parents divorced in 1988. Her father was constantly away, caught between touring, rock stardom and substance abuse. Nobody explained that world to a little girl. So Lucy made sense of it herself: Dad kept leaving because she was not important enough for him to stay. She later admitted that she began chasing fame for one heartbreaking reason. If she became famous too, she thought she could be where her father was — and maybe he would stop leaving. Then Joe got sober. When Lucy was 12, she was brought to see him, and the two slowly began rebuilding what addiction and years apart had damaged. Decades later, Lucy no longer talks about Joe Walsh only as the famous guitarist from the Eagles. She talks about learning to see the imperfect man behind the rock star — and realizing she never had to become famous to deserve her father’s love.

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Lucy Walsh, Joe Walsh, and the Long Road Back to Love Lucy Walsh grew up in the shadow of a…

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“I’M NOT A GUY WHO BELIEVES IN ALL THAT MUMBO JUMBO.” — GEDDY LEE, AFTER RUSH’S FIRST SHOW IN 11 YEARS. Rush played their first full show in 11 years on June 7 at the Kia Forum in Los Angeles. Later that night, Geddy Lee was back at the hotel, texting Alex Lifeson. They were in the same building. They still texted. His door was open a crack. And then he looked down. There was a bird standing on his floor. Small. Calm. Like it had been invited. If you’ve seen the poster for this tour, you know it — two birds sitting on a wire, and a third one flying away. Everyone knows who that third bird is. Geddy loves birds, so he stepped toward it. It flew past him into the bedroom and landed on the edge of his bed. He came closer. It just looked at him. Then it went out the door. He ran to the computer to tell Alex what had just happened. He’s been clear he’s not a man who believes in that kind of thing. And while he was still typing, the bird came back. Just its head in the doorway. One more nod. He said, “Okay, bye.” And it flew off. He kept that story to himself for two months — until a radio host in Toronto asked him if he’d felt Neil.

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Geddy Lee, a Bird, and a Quiet Moment That Meant More Than He Expected Rush returned to the stage on…

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MOTT THE HOOPLE WERE READY TO BREAK UP. THEN THEY TURNED DOWN THE FIRST SONG DAVID BOWIE OFFERED THEM — SO HE WROTE THEM ANOTHER ONE. By early 1972, Mott the Hoople had made four albums without the commercial breakthrough they needed. The band had reached the point of calling it quits. David Bowie was a fan. When he heard what was happening, he offered them “Suffragette City.” They turned it down. Bowie could have walked away. Instead, he came back with another song written for them: “All the Young Dudes.” This time, they said yes. Bowie produced their recording, and the song changed everything. Released in 1972, “All the Young Dudes” climbed to No. 3 in Britain and gave Mott the Hoople the breakthrough they had been unable to find on their own. They had already decided their story was over. Then they rejected David Bowie once — and he gave them the song that allowed it to continue.

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Mott the Hoople, David Bowie, and the Song That Changed Everything By early 1972, Mott the Hoople were running out…

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BRUCE SPRINGSTEEN COULDN’T FINISH “BECAUSE THE NIGHT.” JIMMY IOVINE PUT THE DEMO IN PATTI SMITH’S HANDS — AND SHE TURNED IT INTO THE BIGGEST HIT OF HER CAREER. In 1977, Bruce Springsteen was working on Darkness on the Edge of Town when he recorded an unfinished song called “Because the Night.” The music was there. So was the chorus. But Bruce struggled with the verses and eventually decided he wasn’t going to finish it. Jimmy Iovine was engineering Bruce’s sessions while also producing Patti Smith’s next album. He heard something in the unfinished song and brought the recording to Patti. She took it home and wrote her own lyrics around what Bruce had started. Patti Smith Group recorded “Because the Night,” with both Smith and Springsteen credited as writers. Released in 1978, it climbed to No. 13 on the Billboard Hot 100 and No. 5 in Britain — the biggest hit of Patti’s career. Bruce couldn’t find the words to finish it. Patti Smith did.

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How Bruce Springsteen’s Unfinished Song Became Patti Smith’s Signature Hit In 1977, Bruce Springsteen was deep in the work that…

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TIMOTHY B. SCHMIT LOST THE POCO JOB TO RANDY MEISNER. A YEAR LATER, HE REPLACED HIM. EIGHT YEARS AFTER THAT, IT HAPPENED AGAIN — THIS TIME WITH THE EAGLES. In 1968, Timothy B. Schmit auditioned for a new country-rock band called Poco. He didn’t get the job. The bass position went to Randy Meisner instead. But Randy left Poco the following year, and Timothy was called back. In 1969, he finally joined the band he had wanted so badly to be part of. For the next eight years, Timothy built his career with Poco while Randy went on to become a founding member of the Eagles. Then, in 1977, Randy left the Eagles. Once again, Timothy B. Schmit was the man chosen to take his place. This time, the opportunity changed his life. With the Eagles, Timothy would co-write and sing “I Can’t Tell You Why,” one of the defining songs of The Long Run. The first time Randy Meisner got the job Timothy wanted. The next two times Randy left, Timothy was the man who followed him.

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Timothy B. Schmit, Randy Meisner, and the Strange Way a Career Finds Its Shape Sometimes the music business feels less…

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JOE WALSH LOST HIS DAUGHTER WEEKS BEFORE HER THIRD BIRTHDAY. HE WROTE HER A SONG — THEN PUT SOMETHING IN HER FAVORITE PARK FOR EVERY CHILD TOO SMALL TO REACH. On April 1, 1974, Joe Walsh’s daughter Emma Kristen was riding with her mother on the way to nursery school when another car ran a stop sign and struck them head-on. Emma died from her injuries. She was only two years old, just weeks away from turning three. Joe was devastated. Later that year, he closed his album So What with “Song for Emma,” a quiet goodbye to the little girl he had barely been given time to know. But the song was not his only memorial. At North Boulder Park in Colorado, where Emma had played, Joe had a small drinking fountain installed in her memory — low enough for little children to reach. Years later, he took Stevie Nicks there and told her about Emma. Stevie went home deeply moved and wrote “Has Anyone Ever Written Anything for You?” for Joe. Joe had written a song for his daughter. Years later, someone wrote one for the father who never stopped missing her.

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Joe Walsh, Emma Kristen, and the Song That Refused to Let Go Some stories in music are about success, and…

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HE TOLD IAN GILLAN HE LIVED AROUND THE CORNER AND ASKED IF HE COULD COME AND JAM. That was Ritchie Blackmore, getting in touch with the singer of the band he co-founded in 1968, wrote “Smoke on the Water” for, and walked out of in 1993. He hadn’t stood on a stage with Deep Purple since. He didn’t turn up when they were inducted into the Rock and Roll Hall of Fame in 2016, and in 2014 Gillan had told Rolling Stone that bringing Ritchie back was out of the question. But Blackmore is 81 now and lives on Long Island, and Deep Purple had a show booked at Jones Beach. So he asked, in his own words, “Do you mind if I come and jam with you?” Gillan put it to the band. They said yes. Wednesday night, near the end of the set, he walked out, smiled at the men he’d left behind three decades ago, and played his riff with them for the first time in 33 years. He’d had a steroid injection in his back the day before just to be able to stand there. A stool sat onstage in case he couldn’t. When the song ended, Gillan put an arm around him and gave him back to the crowd as the founder member, the great legend, the immortal Ritchie Blackmore. Then he told him he’d see him in the bar.

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DON HENLEY’S MOTHER FOUGHT CANCER FOR NEARLY 25 YEARS. AFTER SHE DIED, HE KEPT HER LITTLE TEXAS HOUSE — NOT FOR HIMSELF, BUT FOR HIS CHILDREN. Hughlene Henley spent much of her later life battling cancer. She died in 2003 at 87, after a struggle that had lasted roughly a quarter of a century. For Don, the loss reached far beyond losing his mother. Her home was in Linden, Texas, the small town where he had grown up before the Eagles, before the stadiums, before millions of records were sold. He could have sold the house and moved on. He didn’t. Don kept it because he wanted his own children to understand where their father came from — to know what life in a small East Texas town felt like, far away from Los Angeles and the world of celebrity. By then, Don Henley could afford almost any house he wanted. But the one he chose to preserve was the modest home connected to his mother and his childhood. Sometimes inheritance is not money. Sometimes it is simply a place that reminds your children who their family was before the world knew their name.

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RINGO’S DAUGHTER HAD A BRAIN TUMOR. SO DID GEORGE. Through the autumn of 2001, Ringo Starr was moving between two sickrooms. His daughter Lee was being treated in Boston. His oldest friend was fighting a cancer that had started in his throat, moved into his lung, and reached his brain. There was one good afternoon in it. On November 12, in a Manhattan hotel room, George, Paul and Ringo sat together for the last time. George ate a light vegetarian meal and drank water, then went straight to Hamburg. 1960, eight-hour nights in German clubs, seventeen years old and nobody in the world knowing their names. George’s doctor was in the room and remembered laughter far outweighing the tears. Paul said it was like they were dreaming. But the moment Ringo carries came from a quieter visit, one where George could only lie down. Ringo said he couldn’t stay, that he had to get to Boston, to his daughter. George, 58 years old and out of options, asked him: “Do you want me to come with you?” Ringo has said those were the last words he ever heard him say.

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HE SANG “LIFE IN THE FAST LANE.” THEN DON HENLEY MOVED HIS CHILDREN AWAY FROM LOS ANGELES SO THEY WOULDN’T HAVE TO GROW UP IN IT. For years, Don Henley lived at the center of one of rock music’s wildest success stories. Then his priorities changed. Henley married Sharon Summerall in 1995, and they eventually had three children. When the children were young, the family moved from Los Angeles to Dallas, closer to Sharon’s parents. Henley had a simple reason. He wanted his children to grow up more like he had in Texas. He said he did not want to raise them in an environment filled with the self-absorption of Hollywood, especially when touring already kept him away from home. Fatherhood changed his music, too. His 2000 album Inside Job was shaped by marriage, children and the birth of his first daughter. “Taking You Home” came directly from that new chapter of his life. The man who had spent years singing about excess, temptation and life in the fast lane finally found something more important than the road. He wanted his children to have a childhood.