“Scroll down to the end of the article to listen to music.”
Introduction
The late 1960s were a boiling pot of cultural, social, and musical evolution. At the forefront of this transformation was The Beatles, a band that not only captured but also influenced the zeitgeist of the times. “Come Together,” one of their iconic tracks, perfectly exemplifies this period of change. Written by John Lennon and credited to the Lennon-McCartney partnership, the song was initially intended as a campaign anthem for Timothy Leary’s run for governor of California against Ronald Reagan, although it quickly transcended its original purpose.
About The Composition
- Title: Come Together
- Composer: John Lennon (credited to Lennon-McCartney)
- Premiere Date: Released on October 6, 1969
- Album/Opus/Collection: Appeared on their 1969 album, “Abbey Road”
- Genre: Rock; specifically blues-rock and psychedelic rock
- Background: “Come Together” was a stylistic departure from The Beatles’ earlier works, blending rock and roll with smoky blues undertones. Lennon’s cryptic lyrics and distinctive vocal delivery, combined with the minimalist, yet potent instrumentation, marked a significant moment in the band’s evolving artistic landscape. Despite—or perhaps because of—its ambiguous lyrics, which included nonsensical and seemingly random phrases, the track became a quintessential Beatles song, showcasing their ability to push musical boundaries.
Musical Style
The song features a laid-back groove, largely driven by Paul McCartney’s smooth and prominent bass line, which is both melodic and rhythmically complex. Lennon’s vocals are deliberate and almost spoken rather than sung, creating a hypnotic allure. Ringo Starr’s shuffling drum pattern and George Harrison’s understated guitar work contribute to the track’s enigmatic and slightly ominous feel. The minimalist arrangement allows each element of the band to shine, demonstrating The Beatles’ mastery of the less-is-more approach in rock music.
Lyrics/Libretto
“Come Together” opens with the famous line, “Here come old flat-top, he come grooving up slowly,” a phrase that sets the tone for a series of abstract and seemingly disconnected images. The lyrics can be interpreted as a commentary on unity and individuality, blending the surreal with the ordinary. Lennon himself admitted that the lyrics were intentionally gobbledygook, suggesting that listeners should not overanalyze but rather experience the song holistically.
Performance History
Since its release, “Come Together” has been covered by a myriad of artists, each bringing their own interpretation to this complex piece. It remains a staple in the repertoire of countless bands and was a highlight during The Beatles’ later live performances. Its robust structure makes it a favorite for reinterpretation in various musical styles, from rock to jazz, and even electronic music.
Cultural Impact
“Come Together” has transcended its origins to become a cultural symbol of the late ’60s ethos of peace and togetherness. Its enigmatic lyrics have been the subject of much debate, making it a song that both defines and is defined by its listeners. Its usage in movies, television shows, and commercials has cemented its status as a cultural touchstone, resonating with audiences across generations.
Legacy
The enduring popularity of “Come Together” is a testament to its artistry and the genius of The Beatles. It continues to be relevant, inspiring musicians and listeners alike. As a piece of the Beatles’ storied discography, it stands out for its innovative approach to songwriting and production, characteristics that have influenced countless artists across the musical spectrum.
Conclusion
“Come Together” is more than just a song; it’s a piece of musical history that encapsulates a pivotal moment in music and cultural history. Its layers of meaning, innovative musicality, and enigmatic lyrics make it a song worth revisiting time and again. For those looking to delve deeper, the remastered versions on the later editions of “Abbey Road” offer a pristine listening experience that highlights the song’s intricate soundscape.
Video
Lyrics
Shoot me
Shoot me
Shoot me
Shoot me
Here come old flat-top, he come grooving up slowly
He got ju-ju eyeball, he one holy roller
He got hair down to his knee
Got to be a joker, he just do what he please
Shoot me
Shoot me
Shoot me
Shoot me
He wear no shoeshine, he got toe-jam football
He got monkey finger, he shoot coca-cola
He say, “I know you, you know me”
One thing I can tell you is you got to be free
Come together, right now
Over me
Shoot me
Shoot me
Shoot me
He bag production, he got walrus gumboot
He got ono sideboard, he one spinal cracker
He got feet down below his knee
Hold you in his armchair, you can feel his disease
Come together, right now
Over me
Shoot me
Right
Come, come, come, come, come
He roller-coaster, he got early warnin’
He got muddy water, he one mojo filter
He say, “One and one and one is three”
Got to be good-lookin’, ’cause he’s so hard to see
Come together, right now
Over me
Shoot me
Shoot me
Shoot me
Oh
Come together, yeah
Come together, yeah
Come together, yeah
Come together, yeah
Come together, yeah
Come together, yeah
Come together, yeah
Oh
Come together, yeah
Come together, yeah