“Scroll down to the end of the article to listen to music.”
Introduction
The first time I heard “L.A. Woman” by The Doors, I was struck by its raw energy and hauntingly poetic lyrics. It was during a late-night drive through the city, and the song’s pulsating rhythm seemed to perfectly sync with the lights and shadows of the urban landscape.
About The Composition
- Title: L.A. Woman
- Composer: The Doors (Jim Morrison, Robby Krieger, Ray Manzarek, John Densmore)
- Premiere Date: April 19, 1971
- Album/Opus/Collection: L.A. Woman
- Genre: Rock
Background
“L.A. Woman” was created during a tumultuous period for The Doors. Facing legal troubles and internal strife, the band managed to channel their energies into what would become one of their most iconic songs. Recorded in their makeshift studio in Los Angeles, the song reflects the city’s vibrancy and darkness. Jim Morrison’s fascination with the urban experience and the concept of the “L.A. Woman” influenced the song’s creation, making it a poignant reflection of his life and times.
Musical Style
The song is a masterful blend of rock and blues, driven by a relentless rhythm that captures the listener’s attention. John Densmore’s powerful drumming and Robby Krieger’s intricate guitar work create a solid foundation, while Ray Manzarek’s electric piano adds a layer of sophistication. Jim Morrison’s deep, expressive voice conveys a sense of urgency and introspection, particularly during the “Mr. Mojo Risin'” segment, which serves as an anagram for his name and a nod to his alter ego.
Lyrics/Libretto
The lyrics of “L.A. Woman” are a vivid portrayal of Los Angeles, highlighting both its glamorous and gritty sides. Morrison’s words delve into themes of desire, freedom, and existential angst. The repeated chant of “Mr. Mojo Risin'” adds a mystical and personal dimension to the song, embodying Morrison’s enigmatic persona and his connection to the city.
Performance History
“L.A. Woman” has seen numerous performances and covers since its release. The Doors themselves performed it live on several occasions, each time bringing a unique energy to the stage. The song has been covered by a wide range of artists, from rock legends to contemporary musicians, each adding their own flair to the classic track.
Cultural Impact
The influence of “L.A. Woman” extends beyond the realm of rock music. Its presence in films, TV shows, and advertisements has cemented its status as a cultural icon. The song’s rebellious spirit and evocative imagery have inspired countless artists and continue to resonate with audiences around the world.
Legacy
“L.A. Woman” stands as a testament to The Doors’ enduring legacy and their ability to capture the essence of their time. Its timeless appeal ensures that it remains relevant, speaking to new generations of listeners and musicians. The song’s exploration of the human experience, set against the backdrop of Los Angeles, keeps it fresh and impactful.
Conclusion
“L.A. Woman” is a musical journey through the soul of Los Angeles, guided by the unparalleled artistry of The Doors. I encourage you to listen to the original track and explore various performances and covers to fully appreciate its depth and power. This song is a quintessential piece of rock history that continues to inspire and move listeners.
Video
Lyrics
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the city of light
Or just another lost angel, city of night
City of night, city of night, city of night, woo, come on
L.A. woman, L.A. woman
L.A. woman Sunday afternoon
L.A. woman Sunday afternoon
L.A. woman Sunday afternoon
Drive through your suburbs
Into your blues, into your blues, yeah
Into your blue-blue blues
Into your blues, oh, yeah
I see your hair is burnin’
Hills are filled with fire
If they say I never loved you
You know they are a liar
Drivin’ down your freeways
Midnight alleys roam
Cops in cars, the topless bars
Never saw a woman
So alone, so alone
So alone, so alone
Motel money murder madness
Let’s change the mood from glad to sadness
Mister mojo risin’, mister mojo risin’
Mister mojo risin’, mister mojo risin’
Got to keep on risin’
Mister mojo risin’, mister mojo risin’
Mojo risin’, gotta mojo risin’
Mister mojo risin’, gotta keep on risin’
Risin’, risin’
Gone risin’, risin’
I’m gone risin’, risin’
I gotta risin’, risin’
Well, risin’, risin’
I gotta, wooo, yeah, risin’
Woah, ohh yeah
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the city of light
Or just another lost angel, city of night
City of night, city of night, city of night, whoa, come on
L.A. woman, L.A. woman
L.A. woman, you’re my woman
Little L.A. woman, little L.A. woman
L.A. L.A. woman woman
L.A. woman, come on